According to Kurt Vonnegut's alter ego, the old science fiction writer Kilgore Trout, a global timequake will occur on February 13, 2001, at 2:27 p.m. It will be the moment when the universe suffers a crisis of conscience: Should it go on expanding indefinitely or collapse and make another great big BANG? For its own cosmic reasons, it decides to back up a decade to 1991, giving the world a 10-year case of deja vu, making everybody and everything do exactly what they'd done during the past decade.

Here is an entirely new side of Kurt Vonnegut, Vonnegut as a teacher of writing. Of course he's given us glimpses before, with aphorisms and short essays and articles and in his speeches. But never before has an entire book been devoted to Kurt Vonnegut the teacher. Here is pretty much everything Vonnegut ever said or wrote having to do with the writing art and craft, altogether a healing, a nourishing expedition.

Eugene Debs Hartke describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device - a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here in Hocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.

Eliot Rosewater, a drunk volunteer fireman and president of the fabulously rich Rosewater Foundation, is about to attempt a noble experiment with human nature, with a little help from writer Kilgore Trout. The result is Kurt Vonnegut's funniest satire, an etched-in-acid portrayal of the greed, hypocrisy, and follies of the flesh we are all heir to.

The Playground was part of the first hardcover edition of Ray Bradbury's legendary work Fahrenheit 451, published in 1953. In the story, Charles Underhill is a widower who will do anything to protect his young son Jim from the horrors of the playground - a playground which he and the boy pass by daily and the tumult of which, the activity, brings back to Charles the anguish of his own childhood.

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

Walter Starbuck, a career humanist and eventual low-level aide in the Nixon White House, is implicated in Watergate and jailed, after which he (like Howard Campbell in Mother Night) works on his memoirs. Starbuck is innocent (his office was used as a base for the Watergate shenanigans of which he had no knowledge), and yet he is not innocent (he has collaborated with power unquestioningly and served societal order all his life). He represents another Vonnegut Everyman caught amongst forces he neither understands nor can defend.

With cutting wit, fierce conviction, and surprising empathy, Vonnegut explores a diverse range of topics including society, politics, sex, literature, and mortality. Fans who believe they've read all of Vonnegut's work will be delighted to find the author speaking frankly about timely and relevant new topics - with an amusing yet insightful style that's instantly recognizable.

Deadeye Dick is Kurt Vonnegut's funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors - a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb - Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe...and who we say we are.

Kurt Vonnegut presents in Fates Worse than Death a veritable cornucopia of his thoughts on what could perhaps best be summed up as "anti-theology", a manifesto for atheism that details Vonnegut's drift from conventional religion, even a tract evidencing belief in the divine held within each individual self--the deity within each individual person present in a universe that otherwise lacks any real order.

Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades before the book's publication.

In this self-portrait by an American genius, Kurt Vonnegut writes with beguiling wit and poignant wisdom about his favorite comedians, country music, a dead friend, a dead marriage, and various cockamamie aspects of his all-too-human journey through life. This is a work that resonates with Vonnegut's singular voice: the magic sound of a born storyteller mesmerizing us with truth.

In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.

In a small apartment, Black and White, as the two men are known, begin a conversation that leads each back through his own history, mining the origins of two fundamentally opposing world views. White is a professor whose seemingly enviable existence of relative ease has left him nonetheless in despair. Black, an ex-con and ex-addict, is the more hopeful of the menthough he is just as desperate to convince White of the power of faith as White is desperate to deny it.

Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew Over the Cuckoo's Nest has left an indelible mark on the literature of our time. Turning conventional notions of sanity and insanity on their heads, the novel tells the unforgettable story of a mental ward and its inhabitants, especially tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her.

According to Kurt Vonnegut's alter ego, the old science fiction writer Kilgore Trout, a global timequake will occur on February 13, 2001, at 2:27 p.m. It will be the moment when the universe suffers a crisis of conscience: Should it go on expanding indefinitely or collapse and make another great big BANG? For its own cosmic reasons, it decides to back up a decade to 1991, giving the world a 10-year case of deja vu, making everybody and everything do exactly what they'd done during the past decade.

Kurt Vonnegut presents in Fates Worse than Death a veritable cornucopia of his thoughts on what could perhaps best be summed up as "anti-theology", a manifesto for atheism that details Vonnegut's drift from conventional religion, even a tract evidencing belief in the divine held within each individual self--the deity within each individual person present in a universe that otherwise lacks any real order.

In this self-portrait by an American genius, Kurt Vonnegut writes with beguiling wit and poignant wisdom about his favorite comedians, country music, a dead friend, a dead marriage, and various cockamamie aspects of his all-too-human journey through life. This is a work that resonates with Vonnegut's singular voice: the magic sound of a born storyteller mesmerizing us with truth.

Franz Kafka's 1915 novella of unexplained horror and nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. It is the story of traveling salesman Gregor Samsa, who wakes one morning to find himself transformed into a monstrous insect. This hugely influential work inspired George Orwell, Albert Camus, Jorge Louis Borges, and Ray Bradbury, while continuing to unsettle millions of readers.

With cutting wit, fierce conviction, and surprising empathy, Vonnegut explores a diverse range of topics including society, politics, sex, literature, and mortality. Fans who believe they've read all of Vonnegut's work will be delighted to find the author speaking frankly about timely and relevant new topics - with an amusing yet insightful style that's instantly recognizable.

Academy Award winner Dustin Hoffman gives an understated and exemplary performance of this satiric look at the unreality of American media culture. Chance, the enigmatic gardener, becomes Chauncey Gardiner after getting hit by a limo belonging to a Wall Street tycoon. The whirlwind that follows brings Chance to his new status of political policy advisor and possible vice presidential candidate. His garden-variety political responses, inspired by television, become heralded as visionary, and he is soon a media icon.

Written to be sold under the pseudonym of "Mark Harvey", this 20,000-word novella was never published in Vonnegut’s lifetime. Basic Training is a bitter, profoundly disenchanted story that satirizes the military, authoritarianism, gender relationships, parenthood, and most of the assumed mid-century myths of the family. Haley Brandon, the adolescent protagonist, comes to the farm of his relative, the old crazy who insists upon being called The General, to learn to be a straight-shooting American....

Available to listeners for the first time, Sucker’s Portfolio showcases a collection of seven never-before-published works from Kurt Vonnegut, one of the greatest writers of the 20th century. Short, sardonic, and dark, these six brief fiction stories and one non-fiction piece are consummate Vonnegut with piercing satire and an eye for life’s obscene inanity. Also available for the first time is an unfinished science-fiction short story, included in the appendix.

Kurt Vonnegut made his mark as one of America’s most influential writers with novels such as Slaughterhouse Five, named one of the 100 best English-language novels by Time. Published posthumously, While Mortals Sleep is a collection of 16 short stories, written early in Vonnegut’s career, that further cements his status as an American literary icon.

Kurt Vonnegut's first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul's rebellion is vintage Vonnegut – wildly funny, deadly serious, and terrifyingly close to reality.

In a small apartment, Black and White, as the two men are known, begin a conversation that leads each back through his own history, mining the origins of two fundamentally opposing world views. White is a professor whose seemingly enviable existence of relative ease has left him nonetheless in despair. Black, an ex-con and ex-addict, is the more hopeful of the menthough he is just as desperate to convince White of the power of faith as White is desperate to deny it.

I had an uncle who left his hometown and the family business there to become a fine actor. His talent was a minor one, but a pretty one. It lasted for 15 years and was gone. He came home with the ashes of it and died 20 years later, poor and, as it happened, drunk.

American literary icon Kurt Vonnegut enjoys immense popularity - and an equally immense amount of critical praise - for such works as his absurdist classic Slaughterhouse-Five. A must-have for readers everywhere, Look at the Birdie adds further insight into the author's body of work with a riveting collection of his previously unpublished short fiction.

In A Midsummer Night's Dream, Shakespeare stages the workings of love in unexpected ways. In the woods outside Athens, two young men and two young women sort themselves into couples - but not before they form first one love triangle, and then another. The king and queen of fairyland, Oberon and Titania, battle over custody of an orphan boy. Oberon uses magic to make Titania fall in love with a weaver named Bottom, in an effort to distract Titania from the custody battle.