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We Are What We Pretend to Be
- The First and Last Works
- Narrated by: Colin Hanks, Oliver Wyman, Suzanne Toren
- Length: 4 hrs and 29 mins
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Vonnegut Imitating Vonnegut
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a fool and his self respect are soon parted
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Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.
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According to Kurt Vonnegut's alter ego, the old science fiction writer Kilgore Trout, a global timequake will occur on February 13, 2001, at 2:27 p.m. It will be the moment when the universe suffers a crisis of conscience: Should it go on expanding indefinitely or collapse and make another great big BANG? For its own cosmic reasons, it decides to back up a decade to 1991, giving the world a 10-year case of deja vu, making everybody and everything do exactly what they'd done during the past decade.
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If I aimed at nothing..nothing is what I would hit
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a fool and his self respect are soon parted
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Hello, babies. Welcome to Earth.
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The corridor of the Fine Arts Building was deserted, save for two figures at the far end, two men approaching slowly. Rose was about to go into the classroom, where she'd left her purse, when she saw a sign on the door - a crude sign in pencil, on a ragged sheet of paper. "Collapse of Western Civilization - Dr. Norbert Beilstein," it said. "Visitors welcome."
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Galapagos takes the listener back one million years to AD 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galapagos Islands are about to become the progenitors of a brave, new, totally different human race. Kurt Vonnegut, America's master satirist, looks at our world and shows us all that is sadly, madly awry - and all that is worth saving.
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Great from start to finish
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Kurt Vonnegut presents in Fates Worse than Death a veritable cornucopia of his thoughts on what could perhaps best be summed up as "anti-theology", a manifesto for atheism that details Vonnegut's drift from conventional religion, even a tract evidencing belief in the divine held within each individual self--the deity within each individual person present in a universe that otherwise lacks any real order.
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Vonnegut is profound
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Classic Vonnegut
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Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades before the book's publication.
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Lonely No More!
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Cat's Cradle is Vonnegut's satirical commentary on modern man and his madness. An apocalyptic tale of this planet's ultimate fate, it features a little person as the protagonist; a complete, original theology created by a calypso singer; and a vision of the future that is at once blackly fatalistic and hilariously funny.
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Great book, awful recording
- By aberk on 02-23-11
By: Kurt Vonnegut
Publisher's Summary
Called “our finest black-humorist” by The Atlantic Monthly, Kurt Vonnegut was one of the most influential writers of the 20th century. Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.
Written to be sold under the pseudonym of “Mark Harvey,” Basic Training was never published in Vonnegut’s lifetime. It appears to have been written in the late 1940s and is therefore Vonnegut’s first ever novella. It is a bitter, profoundly disenchanted story that satirizes the military, authoritarianism, gender relationships, parenthood, and most of the assumed mid-century myths of the family. Haley Brandon, the adolescent protagonist, comes to the farm of his relative, the old crazy who insists upon being called The General, to learn to be a straight-shooting American. Haley’s only means of survival will lead him to unflagging defiance of the General’s deranged (but oh so American, oh so military) values. This story and its 30ish author were no friends of the milieu to which the slick magazines’ advertisers were pitching their products.
When Vonnegut passed away in 2007, he left his last novel unfinished. Entitled If God Were Alive Today, this last work is a brutal satire on societal ignorance and carefree denial of the world’s major problems. Protagonist Gil Berman is a middle-aged college lecturer and self-declared stand-up comedian who enjoys cracking jokes in front of a college audience while societal dependence on fossil fuels has led to the apocalypse. Described by Vonnegut as, “the stand-up comedian on Doomsday,” Gil is a character formed from Vonnegut’s own rich experiences living in a reality Vonnegut himself considered inevitable.
Along with the two works of fiction, Vonnegut’s daughter, Nanette shares reminiscences about her father and commentary on these two works - both exclusive to this edition. In this fiction collection, published in print for the first time, exist Vonnegut’s grand themes: trust no one, trust nothing; and the only constants are absurdity and resignation, which themselves cannot protect us from the void but might divert.
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What listeners say about We Are What We Pretend to Be
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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- Robert
- 11-02-12
Not a place to start.
We Are What We Pretend To Be shows the evolution of Kurt Vonnegut’s writing at the beginning and end of his career. It contains two of the author’s works. His first novella, Basic Training stands in stark contrast to his unfinished novel If God Were Alive Today. The former is a rather straight forward satire on the military, authoritarian parenting and authoritarianism in general. The latter is a completely wild and nutty, satirical look at our ignorance and denial of an apocalyptic future. Recently, I listened to a radio ad for The Last Warcrime. While I agreed with the message, the way the ad was delivered left something to be desired. I felt a little of that in IGWAT.
While the nexus of the two works is unmistakably satire, the whole feel, vocabulary and styles of writing in the two books could easily have been written by different authors. I think we hear the voice of Vonnegut in Basic Training but it is definitely a younger although not immature one. In the latter, the author comes across definitely older and more irascible, more universal and less personal.
While this might be his first and last work, I think most of KV's finest work is in many places in between. For someone new to KV, I would not recommend starting here. Slaughterhouse-Five, Cat’s Cradle or my personal favorite The Sirens of Titan would be a better introduction to the author. For hardcore KV fans, WAWWPTB is probably essential reading.
This is a quick read/listen. The narration in my Audible selection is quite good. Plus, in this edition, the author’s daughter Nanette shares reminiscences about her father and a commentary on these two works.
10 people found this helpful
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- BJT
- 02-12-18
Odd, but Enjoyable
A very odd read for me, but interesting all the same. Enjoyed the contrast and wit.
1 person found this helpful
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- James D. Ballantyne
- 10-08-20
classic Vonnegut
These two stories actually show the progress in style and voice of one of America's greatest writers. I am sorry the last story wasn't finished.
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- Martha
- 01-21-13
Fantastic Vonnegut
Would you recommend this audiobook to a friend? If so, why?
Absolutely. It is amazing to see where he went throughout his life and career. To hear his first book and his last book together is like having a glimpse into how he grew over the years.
What did you like best about this story?
I enjoyed following Vonnegut's changing style and view of the world.
Have you listened to any of the narrators’s other performances before? How does this one compare?
I've not heard any other performances by any of the narrators but I thought they were all excellent.
Was there a moment in the book that particularly moved you?
There were two stories. The end of the first story was extremely heartening. The end of the second story was like bringing everything home. It was great for closure.
Any additional comments?
This was an excellent book. Any fans of Kurt Vonnegut would be wise to buy it!
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- Tom O'Rourke
- 11-14-21
The excellence perpetuates
I most humbly thank you audiobooks from the beginning to my inevitable end life is.