We are behind, and below, the scenes of JFK's presidential election, the Bay of Pigs, the assassination - in the underworld that connects Miami, Los Angeles, Chicago, DC....

It is December 6, 1941. America stands at the brink of World War II. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. Los Angeles has been a haven for loyal Japanese-Americans - but now, war fever and race hate grip the city and the Japanese internment begins.

Freddy Otash was the man in the know and the man to know in '50s LA. He was a rogue cop, a sleazoid private eye, a shakedown artist, a pimp - and, most notably, the head strong-arm goon for Confidential magazine. Confidential presaged the idiot internet - and delivered the dirt, the dish, the insidious ink, and the scurrilous skank.

January '42. L.A. reels behind the shock of Pearl Harbor. Local Japanese residents are rounded up and slammed behind bars. Massive thunderstorms hit the city. A body is unearthed in Griffith Park. The cops tag it a routine dead-man job. They're wrong. It's an early-warning signal of chaos. There's a murderous fire and a gold heist. There's Fifth Column treason on American soil. There are homegrown Nazis, Commies, and race racketeers. It's populism ascendant. There's two dead cops in a dive off the jazz-club strip. And three men and one woman have a hot date with history.

Three citizens are butchered during a liquor store holdup. An unstable veteran cop vanishes without a trace. Nothing connects these events except for a nagging hunch in the back of Detective Sergeant Lloyd Hopkins' brain--a sinister foreboding that will lead him through the sin-and-sleaze playground of nighttime L.A. on the trail of a psycho psychiatrist with a talent for terror and mind-control. His gore-soaked journey through Hell will plunge this determined manhunter into the dark heart of madness--and beyond.

Fred Underhill is a young cop on the rise in Los Angeles in the early 1950s - a town blinded to its own grime by Hollywood glitter; a society nourished by newspaper lies that wants its heroes all-American and squeaky clean. A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past.

Nobody plays accordion like Dick Contino. His skilled fingers can find beauty in even the schmaltziest Borscht Belt favorites, and with his matinee-idol looks he could be a real star. Right now, though, he’s slumming it as the headliner in a Grade Z teenybopper picture called Daddy-O. He’s too good for this movie, and finishing it is going to take him to a very dark place. Daddy-O and Dick Contino are both real, their stories dredged out of the past by James Ellroy, a master of historical crime fiction. In Dick Contino's Blues he takes us to B-List Hollywood in 1957 - a time when movies were cheerful and dirty secrets lurked just off camera.

Fritz Brown’s L.A. - and his life - are masses of contradictions, like stirring chorales sung for the dead. A less-than-spotless former cop with a drinking problem - a private-eye-cum-repo man with a taste for great music - he has been known to wallow in the grime beneath the Hollywood glitter. But Fritz Brown’s life is about to change, thanks to the appearance of a racist psycho who flashes too much cash for a golf caddie and who walked away clean from a multiple murder rap.

In The Best Cases of The Continental Op, an original compilation of eight stories from Skyboat Media, the Op walks, stalks, and runs down the steep streets of San Francisco to solve crimes of blackmail, murder, stolen identities, and arson, and each story contains so many twists and turns you’ll be hooked until the very (surprising) end.... 

Michael Mann, four-time Oscar-nominated filmmaker and writer-director of Heat, Collateral, Thief, Manhunter, and Miami Vice, teams up with Edgar Award-winning author Meg Gardiner to deliver Mann’s first crime novel—an explosive return to the world and characters of his classic film Heat—an all-new story that illuminates what happened before and after the iconic film. 

For a thousand years the ash fell and no flowers bloomed. For a thousand years the Skaa slaved in misery and lived in fear. For a thousand years the Lord Ruler, the "Sliver of Infinity," reigned with absolute power and ultimate terror, divinely invincible. Then, when hope was so long lost that not even its memory remained, a terribly scarred, heart-broken half-Skaa rediscovered it in the depths of the Lord Ruler's most hellish prison.

From New York Times bestselling author Alan Moore—one of the most influential writers in the history of comics—"a wonderful collection, brilliant and often moving" (Neil Gaiman) which takes us to the fantastical underside of reality. In his first-ever short story collection, which spans forty years of work, Alan Moore presents a series of wildly different and equally unforgettable characters who discover—and in some cases even make and unmake—the various uncharted parts of existence.

Quentin Tarantino’s long-awaited first work of fiction - at once hilarious, delicious, and brutal - is the always surprising, sometimes shocking new novel based on his Academy Award-winning film.

Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite.... Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter.... 

A dying millionaire hires private eye Philip Marlowe to handle the blackmailer of one of his two troublesome daughters, and Marlowe finds himself involved with more than extortion. Kidnapping, pornography, seduction, and murder are just a few of the complications he gets caught up in.

Six prisoners are beaten senseless in their cells by cops crazed on alcohol. For the three LAPD detectives involved, it will expose the guilty secrets on which they have built their corrupt and violent careers.

On January 15, 1947, the tortured body of a beautiful young woman was found in a vacant lot in Hollywood. Elizabeth Short, the Black Dahlia, a young Hollywood hopeful, had been brutally murdered. Her murder sparked one of the greatest manhunts in California history.

In The Cold Six Thousand, James Ellroy's most ambitious and explosive novel yet, he puts the whole of the 1960s under his blistering lens. The result is a work of fierce, epic fiction, a speedball through our most tumultuous time.

We are behind, and below, the scenes of JFK's presidential election, the Bay of Pigs, the assassination - in the underworld that connects Miami, Los Angeles, Chicago, DC....

It is December 6, 1941. America stands at the brink of World War II. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. Los Angeles has been a haven for loyal Japanese-Americans - but now, war fever and race hate grip the city and the Japanese internment begins.

January '42. L.A. reels behind the shock of Pearl Harbor. Local Japanese residents are rounded up and slammed behind bars. Massive thunderstorms hit the city. A body is unearthed in Griffith Park. The cops tag it a routine dead-man job. They're wrong. It's an early-warning signal of chaos. There's a murderous fire and a gold heist. There's Fifth Column treason on American soil. There are homegrown Nazis, Commies, and race racketeers. It's populism ascendant. There's two dead cops in a dive off the jazz-club strip. And three men and one woman have a hot date with history.

Summer, 1968. Martin Luther King and Robert Kennedy are dead. The assassination conspiracies have begun to unravel. A dirty-tricks squad is getting ready to deploy at the Democratic Convention in Chicago. Black militants are warring in southside L.A. The Feds are concocting draconian countermeasures. And fate has placed three men at the vortex of History.

Three citizens are butchered during a liquor store holdup. An unstable veteran cop vanishes without a trace. Nothing connects these events except for a nagging hunch in the back of Detective Sergeant Lloyd Hopkins' brain--a sinister foreboding that will lead him through the sin-and-sleaze playground of nighttime L.A. on the trail of a psycho psychiatrist with a talent for terror and mind-control. His gore-soaked journey through Hell will plunge this determined manhunter into the dark heart of madness--and beyond.

In 1958 Jean Ellroy was murdered, her body dumped on a roadway in a seedy LA suburb.Her killer was never found, and the police dismissed her as a casualty of a cheap Saturday night. James Ellroy was 10 when his mother died, and he spent the next 36 years running from her ghost and attempting to exorcize it through crime fiction. In 1994, Ellroy quit running. He went back to LA, to find out the truth about his mother - and himself.

In disgrace after a badly handled arrest in New Orleans, Sergeant Lloyd Hopkins is assigned as a liaison officer to an FBI investigation of a series of diabolical and clever bank robberies. Three men have done their homework: they choose bank managers who are having affairs, kidnap their girlfriends, and force the managers to open the banks early.

Fred Underhill is a young cop on the rise in Los Angeles in the early 1950s - a town blinded to its own grime by Hollywood glitter; a society nourished by newspaper lies that wants its heroes all-American and squeaky clean. A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past.

In Los Angeles, in 1953, six innocent people are gunned down at an all-night diner. Three policemen arrive to investigate: Ed Exley, goaded by his father's success on the force and burning to eclipse him; Bud White, witness to his mother's murder, a time bomb with a badge; and Jack Vincennes, a former addict, a shake-down artist who works celebrities. Worse yet, these three see themselves as rivals. Their rage mirrors that of the killers they seek, and all are players in a game without rules or survivors.

Nobody plays accordion like Dick Contino. His skilled fingers can find beauty in even the schmaltziest Borscht Belt favorites, and with his matinee-idol looks he could be a real star. Right now, though, he’s slumming it as the headliner in a Grade Z teenybopper picture called Daddy-O. He’s too good for this movie, and finishing it is going to take him to a very dark place. Daddy-O and Dick Contino are both real, their stories dredged out of the past by James Ellroy, a master of historical crime fiction. In Dick Contino's Blues he takes us to B-List Hollywood in 1957 - a time when movies were cheerful and dirty secrets lurked just off camera.