Showing results by narrator "Dani Martineck" in All Categories

The first Brume is a waking nightmare, overrun by literal monsters and cutthroat survivors. For Quinn, who is openly genderqueer, the silver lining is their friendship with Lia. The second Brume is a prison with no bars. Forced to “sort out” their sexuality with other teens at Camp Redemption, Quinn must also figure out why presenting as female has never felt right. The third Brume is a war zone. For Quinn, who presents as male, leading the Resistance against an authoritarian government is difficult, since even the Resistance might not accept them if they knew Quinn’s truth.

In this urgent outpouring of American voices, our poets speak to us as they shelter in place, addressing our collective fear, grief, and hope from eloquent and diverse individual perspectives. 

Nobody could get Frederick Law Olmsted to sit still. He was filled with energy, adventure, and dreams of changing the world. As a boy, he found refuge in the peace and calm of nature, and later as an adult, he dreamed of designing and creating access to parks for a growing and changing America. When New York City held a contest for the best park design for what would become Central Park, Olmsted won and became the father of landscape architecture. He went on to design parks across America, including Yosemite National Park and even the grounds for the United States Capitol.

Saving the multiverse starts with another origami note: Make it here, pronto. This time Meade Macon, a.k.a. Average Me, knows that parallel dimensions are real. He's met dozens of his counterparts from other Earths. What he doesn't know is that they're all about to get zapped out of existence. On Earth Zero, a rip in the multiverse is spreading to other realities and causing chaos wherever it appears. And the different versions of Meade - the Mes - are caught in the middle!

John Maeda is one of the world's preeminent thinkers on technology and design, and in How to Speak Machine, he offers a set of simple laws that govern not only the computers of today but the unimaginable machines of the future. Machines are already more powerful than we can comprehend and getting more powerful at an exponential pace. Once set in motion, algorithms never tire. And when a program's size, speed and endlessness combine with its ability to learn and transform itself, the outcome can be unpredictable and dangerous. 

It’s 1993, and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shape-shifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco - a journey through the deep queer archives of struggle and pleasure.

It all starts with a note folded into the shape of an origami octopus: "Hi, Me. Yes, you. You're me, and I'm you." If you believe this and the other origami notes that follow - which middle-schooler Meade Macon absolutely, positively does not - the concept of parallel dimensions is true, and there is a convention full of alternate versions of Meade waiting for his RSVP. It's got to be a joke.

Whilst working on a spreadsheet for a New York-based PR firm, Gerald has his consciousness uploaded into his company's Slack channel. He posts for help, but his colleagues assume it's an elaborate joke to exploit the new working-from-home policy and, now that Gerald's productivity is through the roof, his bosses are only too happy to let him work from...wherever he says he is. Faced with the looming abyss of a disembodied life online, Gerald enlists co-worker Pradeep to care for his body and Slackbot, the service's AI assistant, to help him navigate his new digital reality.