Showing results by narrator "David Shears" in All Categories

 Between 1895 and 1898, H. G. Wells wrote five science fiction novels, which have become among the most celebrated examples of the genre. The first of these was The Time Machine, in which Wells explores not only the fascinating subject of time travel but also the potential dangers to human autonomy by the advance of civilization.  Well's world-weary Time Traveller, who is the main narrator, is one of his most quirky and appealing characters. 

 Wuthering Heights is Emily Brontë's only novel, first published in 1847 under the pseudonym Ellis Bell. A work of considerable power and intensity set in the Yorkshire moors in the late 18th century - the bleak and wild moorland often reflected in the natures of the characters. Unsettling at times, the novel is a heady mix of gritty realism, romance, Gothic horror, and tragedy. 

Old Friends and New Fancies is the first ever Jane Austen fan fiction and was originally published in 1913. Sybil Brinton imagines an entirely new story of romantic entanglements using a mashup of characters from all of Austen's major novels. Have you ever wondered what happened to Georgiana Darcy and Kitty Bennet from Pride and Prejudice or Mary Crawford and Tom Bertram from Mansfield Park? Find out in this delightfully comic homage to Austen's beloved characters. 

Hamlet and Macbeth are two of Shakespeare's best-known plays and contain some of the most famous speeches in world literature. These one-act versions of the plays, which were edited by J. P. Crabb (the details of whose life and other works have disappeared into obscurity) retain the significant monologues and dialogues while presenting a streamlined view of the action.

The Wind in the Willows, first published in 1908, is one of the most beloved of all children's classics and has been adapted on multiple occasions for presentation on stage, in film, and as an opera. The action centers on the efforts of Mole, Rat, and Badger to discipline and reform their wealthy and self-destructive friend Toad, who lives in a splendid mansion known as Toad Hall.

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman? 

Anatol, one of Arthur Schnitzler's earliest works, concerns the life of a shallow and immature playboy, who has multiple dalliances with various women but suffers from a crippling fear of commitment underneath his womanising facade. The play offers sharp social commentary on the themes of toxic masculinity and fidelity, and has been adapted in English to two different musicals: The Game of Love and The Gay Life.

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

Although his work has somewhat fallen into obscurity, Alexander Ostrovsky (1823-1886) is considered to be one of the greatest of Russian dramatists. He was one of the pioneers of a realistic style, which later found exponents in celebrated European dramatists like Ibsen and Strindberg. Of Ostrovsky's 47 plays, one of the best known is The Storm, the portrait of an idealistic young woman trapped in a world of crushing and venal orthodoxy. The Storm formed the basis of Janacek's opera, Katya Kabanova.

This classic farce was first performed in 1892. Since the record-breaking initial run in London, it has been revived many times around the world in a variety of languages, and has also been adapted for a number of presentations on film. The play incorporates many of the features which have become standard in romantic comedies: a cross dressing central character, identity confusion, young lovers kept apart by parental influence and older lovers unexpectedly reunited.